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山西大同導遊詞(精選15篇)

欄目: 山西導遊詞 / 釋出於: / 人氣:2.31W

山西大同導遊詞 篇1

各位遊客朋友們:

山西大同導遊詞(精選15篇)

大家好!歡迎大家來到位於塞外古都、煤海之鄉的大同觀光旅遊。我是大家的導遊員楊麗,今天我們將參觀舉世聞名的佛教藝術寶庫———雲岡石窟。它與甘肅敦煌的莫高窟,河南洛陽的龍門石窟並稱為中國三大石窟。

雲岡石窟開鑿於距今1500多年的北魏王朝,現存主要洞窟45個,佛教造像51000多尊,根據武周山勢的自然起伏,雲岡石窟又自然的分成東區、中區和西區三部分。其中第1——4窟為東區,5——13窟為中區,14——45窟為西區。下面我們就先從中區的第5區開始參觀吧。

第5、6窟是一組雙窟,是雲岡石窟中最精彩壯觀、最具代表性的石窟。第5窟為橢圓形的穹窿頂馬蹄形,分前、後兩室,進入高大的後室,首先引入眼簾的是這尊兩腿雙盤、雙手疊放腿上的大佛。這種“吉祥式”坐姿的全結跏趺坐禪定印象,表示著釋迦摩尼佛已進入標準的“靜思維”修行狀態,是佛的坐、立、行、臥“四威儀”,即四個莊嚴地身姿之一。大佛高17米,是雲岡石窟第一大佛。專家們認為這尊大佛是北魏孝文帝為他的父親獻文帝鑿造的佛陀象徵。那麼上述歷史在此窟是否有所體現呢?請各位細看,大佛頭頂為藍色螺髻,面龐方圓,細眼長眉,鼻樑高直,脣含笑意,兩耳垂肩,在端莊、慈祥的神情中透露出神聖、超凡和自信的風貌。尤其是這尊佛像身穿雙領下垂,內衣束結,寬大柔軟而下垂的袈裟,衣紋流暢,給人一種絲的質感。大佛的右側是未來世彌勒佛,左側為過去式燃燈佛。大佛的後面有一個很寬敞的甬道,那是供佛教信徒們禮佛繞行的誦經道。

第6窟是雲岡石窟中以精巧著稱的一窟,稱“第一偉窟”。窟平面呈回字形,窟正中鑿一方形塔柱。在巨大的中心塔柱和整個洞窟的四壁上,雕滿了佛像、菩薩、羅漢、飛天、供養人、瑞鳥、神獸、花卉,形成了一種熱鬧擁擠,美妙神奇的佛國氛圍,主題以歌頌佛母和表現釋迦摩尼一生的成佛弘教經歷為主,因而也叫“佛母洞”。請大家隨我的手勢來觀賞面前這幅關於“右腋誕生”的畫面:古印度有一個小國叫“迦毗羅衛國”,國王叫“淨飯王”,王后叫“摩耶”,他們到了40歲的時候還沒有孩子,非常焦急。有一天,摩耶夫人夢見一位菩薩乘白象而來,後來懷了身孕。按當地習俗,婦女應回孃家分娩。摩耶夫人在快臨產時,在妹妹和僕人的陪侍下回家。半路上,他們到藍毗尼花園休息,剛到一顆菩提樹下,夫人預感快要生產了。於是,一手抓住樹枝,一手在妹妹的攙扶下,從右腋生出了孩子,這就是“喬達摩悉達多”,成佛後被尊為釋迦族聖人的“釋迦摩尼”。

下面我們要參觀的是被譽為雲岡石窟外交官和代表作的第20窟———露天大佛。這尊高達13。7米的結跏趺坐佛像,面容豐滿端莊,雙肩寬厚平直,身披右袒袈裟,呈大日如來吉祥坐禪定印象,是釋迦摩尼對宇宙、社會和人生的一種沉靜思考狀態。這尊大佛便是北魏文成帝拓拔睿的象徵。他恢復佛法,開鑿雲岡石窟,大佛的嘴角微笑神態,表現出佛教徒對他的敬意。距離產生美,角度顯神韻。在這尊露天大佛面前,以不同的距離和角度觀賞,都會產生各種變化著的美及其神韻。

現在給大家20分鐘時間在露天大佛前拍照留念,願大佛炯炯有神的雙眸,略帶微笑的嘴角,給大家留下深刻的回憶,帶來美好的福音。好,20分鐘後我們在這裡集合,謝謝大家合作!

山西大同導遊詞 篇2

今天,我們來到了山西大同。聽說,大同的刀削麵特別出名,像飛刀一樣快。啊!我真是迫不及待的想去試試看看了。來到餐廳,居然還有表演和體驗的。只見在臺子前,一個師傅熟練地從旁邊的盆子裡抓上了一把乾麵粉,均勻地撒在木臺子上。接著,他拿起了一個上面有面粉的木板,用一個不鏽鋼的小剃刀,飛快地削著,削下來的麵條子就是所謂的刀削麵了。那刀削麵真的像山西八大怪中說的一樣,刀削麵真的像飛刀一樣快。不僅快,而且下降的速度很有節奏感,都是先往上,然後往裡過,慢慢的下降,最後一下子飛到了臺子邊緣。我自己的看著,看得目瞪口呆。那些刀削麵不僅速度一樣,而且是一樣薄呢。

“啪”的一聲,我感覺有什麼東西掉到了我頭上,一摸,啊!原來是刀削麵。“小朋友,請不要把頭伸進去。”我心裡還納悶呢。我忽然想起了頭上的刀削麵,一看。原來是我的頭伸到臺子上了!過了一會兒,當面團只剩下一半的時候,師傅停下了。我心裡一愣,不知道他想幹什麼。接著,其他人就開始排隊了。我恍然間明白了,從隊伍中間插了進去,然後被擠了出來,又回到了隊伍末尾。我吐吐舌頭,等待著。等到我的時候,我先很酷地挽起了我的短袖的袖子,深呼吸了一下,然後拿起了剃刀和木板,準備向大家露一手。但是,事情比我想象的難多了。

我先前是拿著剃刀不知道怎麼剃,然後撓了撓腦袋,想起了刀削麵是像削水果一樣削的,但我忘記了是往上削還是往下削。於是我想:刀削麵是從上到下降落的,那應該就是往上削吧!於是我開始往上削。第一次刀削麵降落在了我面前,我挺得意;第二次刀削麵掉下去了;第三次我可倒黴了,刀削麵不知道飛哪去了。這時,表姐笑了起來,我有點迷惑,有一種不祥的預感。我一般想問題都要摸摸頭,我一摸……啊!我叫了起來,原來又是掉在我頭上了。剛剛沒擦,刀削麵在我的頭上堆了起來。我用紙巾把刀削麵擦掉,然後試著往下削。這回我成功了,十分開心。啊!做刀削麵真好玩!

山西大同導遊詞 篇3

春天,那裡萬物復甦,泉水丁冬,小花在溫暖的陽光下照耀著,為人們展示出了自己美麗的面貌,她就像害羞的小姑娘掩面而笑.她那誘人的魅力,讓你感覺到像是沉浮在花海中.小草也微微探出頭來,風姑娘輕輕的撫摸著她那幼小的身軀,在風姑娘的幫助下她把身子傾斜過來,好像要告訴人們她現在非常舒服.柳樹也抽出了點點翠綠的嫩芽,從遠處看,好象是綠色的霧瀰漫了整個“世界”.柳樹甩著長長的辮子,迎風起舞.它們有節奏的來回搖擺,好象在歡迎我們的到來.

夏天,到了晚上,抬頭仰望天空,天空就像平靜的海面湛藍,靜謐.星星像一顆顆寶石閃爍著光芒,又像頑皮的小孩眨著眼睛.天空是多麼的美麗啊!大同的晚上是最美麗的時候,傍晚坐在院子裡,柔和的微風從你耳邊吹過,你的頭髮時而立,時而倒;時而前,時而後;有節奏的“跳動”著.這裡雖然是夏天,但你絲毫感覺不到炎熱.

秋天,正是豐收的好季節.大地產下了它豐碩的果實:沉甸甸的稻子,金黃色的麥穗,又大又紅的地瓜,紅彤彤的蘋果等等.各種五顏六色的菊花,月季,桂花等在濃露之下閃耀著,一點兒沒有褪色.

這裡的冬天更是美麗,早晨推開門出去時,刺骨的寒風呼呼的吹著,不時的向我襲來.並且,偶爾會有頑皮的小雪花紛紛揚揚的落下來,就像跳舞一樣.六角形的雪花各式各樣:有的像銀針,有的像落葉,還有的像碎紙片……煞是好看.這美麗的雪景使人們沉浸在清新的空氣裡.到處銀裝素裹,美不勝收.冬姑娘真是心靈手巧啊!付出一年辛勤勞動的人們,更是感受到豐收的喜悅.

這就是我的家鄉——大同,美麗有可愛,我愛我的家鄉!

山西大同導遊詞 篇4

各位遊客大家好,今天我們將要參觀的是大同雲岡石窟。下面我給大家簡單介紹一下雲岡石窟。

大同雲岡石窟是世界文化遺產、全國重點文物保護單位、東方石雕藝術寶庫,是國內外學術界公認的與甘肅敦煌石窟的莫高窟、河南洛陽的龍門石窟齊名的中國"三大石窟"之一,是中華民族寶貴的文化遺產。據史書記載,雲岡石窟開鑿於公元460年前的

北魏王朝,共有洞窟45個,現存佛教造像51000餘尊,佛龕1200多個。依據武周山勢自然起伏,雲岡石窟又分為東、中、西三部分,今天我們著重參觀第5、6窟和被譽為雲岡石窟的外交官和代表作的第20窟。下面我們從第5、6、窟開始參觀。

雲岡石窟的第5、6窟是毗連一體的一組雙窟。是雲岡石窟最精彩、最為壯觀、最具代表性的石窟。第5 窟的洞窟開頭為橢圓形的草廬式,分前後兩室。進入後室,首先感覺這一洞窟十分高大,中央這尊兩腿雙盤的大像高達17米,為雲岡石窟的第一大佛。大佛著褒衣博帶,通肩袈裟,頭頂為藍色螺鬢,佛像面部輪廓清晰,白毫點朱,細眉長目,鼻準方直,雙肩垂耳,給人以一種端莊、肅穆、慈祥之感。由於後世為了積功德造福,對這尊佛像敷了厚厚的泥裝,再塑了金身,可惜的是,我們看不到原始的北魏石雕的形態了。第5 窟的佛像佈局為三世佛,中央的坐佛為釋迦牟尼佛,佛像的右邊這尊立佛是未來佛,由於這尊佛身上泥裝的脫落,我們得以目睹原始的北魏石雕藝術的風采。第5 窟值得讓大家欣賞的還有,在窟室南壁 門拱上方兩層高約1米的8尊石雕佛教造像和拱門東側雕有菩提樹和樹幹下二佛對坐的石雕佛像,雕刻十分精美。 下面我們參觀第6窟。

第6窟被為雲岡石窟的"第一偉窟"。窟平面呈正方形,後室呈回字形,窟正中鑿一方形塔柱,塔柱稿約15米,它分為上下兩層。整個洞窟雕飾富麗堂皇,洞窟的四壁雕滿了佛像、菩薩、羅漢、飛天、供養人和瑞鳥、神獸、花卉等,這是一座熱鬧擁擠、琳琅滿目、美妙神奇的佛國世界。由於雕刻技藝極為精湛,雕刻內容十分豐富。第6窟被譽為雲岡石窟的"第一偉窟"。你看那四塔柱上層的接引佛。整個四壁加上塔柱一共15尊,和下層大龕的5尊佛像,都採用近似圓雕的高浮雕刻法來增加佛像的立體感。在中心塔柱上層4個角和4 個9層塔柱和上層中心的四方立佛,更是採取了具有鏤空雕刻法。在中心塔柱的塔腰和四壁上,獨具匠心的仙人們利用有限的壁畫,用淺浮和高浮雕相結合的手法,以塊浮雕的形式連線排列,形象而生動的雕刻了33幅釋迦佛陀本生的故事圖,吧釋迦牟尼佛的生平事例展現在世人面前。

接下來我們來到第20窟,第20窟就是被譽為雲岡石窟的外交官和代表作的露天大佛,經歷了1000多年的洞窟坍塌之後,這尊高達13.7米的大佛就端坐在光明之中了。大佛雕刻於1542年前,她的圓潤的髮髻,寬闊的額頭,細纖的長眉,方直的鼻樑,垂直的雙耳,雕刻的極其自然,那充滿了無窮智慧的雙眼是那樣的安詳和寧靜。這尊佛像在端莊之中含著俊秀,在慈祥之中藏著莊嚴,在智慧之中有露著敦厚。堪稱妙相之佛,傳神之佛。作為雲岡石窟5萬餘尊佛像的代表,她不辭勞苦,年復一年的用佛祖那博大的仁愛撫慰著芸芸眾生。

好了,主要洞窟的已經向大家介紹完了,下面請大家自行遊覽,靜靜的體會佛國世界的靜謐和偉大吧。

山西大同導遊詞 篇5

大家好!

大同,山西省省轄市,是中國首批24個國家歷史文化名城之一、中國首批13個較大的市之一、中國九大古都之一、國家新能源示範城市、中國優秀旅遊城市、國家園林城市、全國雙擁模範城市、全國性交通樞紐城市、中國雕塑之都、中國十佳運動休閒城市。

大同是山西省省域副中心城市,山西省第二大城市,位於山西省北部大同盆地的中心、晉冀蒙三省區交界處、黃土高原東北邊緣,實為全晉之屏障、北方之門戶,且扼晉、冀、內蒙之咽喉要道,是歷代兵家必爭之地,有“北方鎖鑰”之稱。

大同古稱雲中、平城,曾是北魏首都,遼、金陪都,境內古蹟眾多,著名的文物古蹟包括雲岡石窟、華嚴寺、善化寺、恆山懸空寺、九龍壁等。

大同是中國最大的煤炭能源基地之一,國家重化工能源基地,神府、準格爾新興能源區與京津唐發達工業區的中點。素有“鳳凰城”和“中國煤都”之稱。

大同這座有著獨特自然地理條件的城市,歷經多年的投資與建設,城市綠化與園林覆蓋取得明顯效果。20xx年1月14日,大同市被國家住建部正式命名為“國家園林城市”。

山西大同導遊詞 篇6

Today, we come to Datong, Shanxi Province. It's said that Datong's noodlesare very famous. They are as fast as flying knives. Ah! I can't wait to have atry. When I come to the restaurant, I have performances and experiences. I sawin front of the table, a master skillfully grabbed a handful of dry flour fromthe nearby basin and spread it evenly on the wooden table. Then, he picked up aboard with flour on it, and used a small stainless steel razor to cut itquickly. The strips of noodles he cut off are called "sliced noodles". Thesliced noodles are really like the eight monsters in Shanxi. They are really asfast as flying knives. It's not only fast, but also the descending speed has asense of rhythm. They all go up first, then go in, slowly descend, and finallyfly to the edge of the platform. I looked at it myself and was stunned. Thosenoodles are not only the same speed, but also the same thickness.

"Pa" sound, I feel something fell on my head, a touch, ah! It's noodles."Children, please don't put your head in it." I'm still wondering. I suddenlythink of the head of the noodles, a look. So my head is on the table! After awhile, when the dough is only half, the master stops. I was in a daze. I didn'tknow what he wanted to do. Then, the others began to line up. I suddenlyunderstand, from the middle of the team into, and then squeezed out, and back tothe end of the team. I stick my tongue out and wait. When I arrived, I coollyrolled up my short sleeve sleeve, took a deep breath, and then picked up therazor and the board, ready to show you. But it's much harder than I thought.

I didn't know how to shave with a razor. Then I scratched my head andremembered that the noodles were cut like fruit, but I forgot whether to cut upor down. So I thought: sliced noodles fall from top to bottom, that should beupward slicing! So I began to upward slicing. The first time the noodles fell infront of me, I was very proud; the second time the noodles fell; the third timeI was unlucky, the noodles didn't know where to fly. At this time, my cousinbegan to laugh. I was a little confused and had an ominous premonition. Iusually feel my head when I think about a problem. I feel it Ah! I cried. Itfell on my head again. I just didn't wipe it. The noodles piled up on my head. Iwipe the face off with a tissue and try to cut it down. I made it this time. I'mvery happy. Ah! How fun it is to make noodles!

山西大同導遊詞 篇7

尊敬的女士們、先生們:

今天,我們將參觀舉世聞名的懸空寺。懸空寺位於中國第九大古都、中國歷史名城、中國雕塑之都、煤海之鄉的大同市東南約65公里處,從酒店出發需要大約1小時30分鐘的時間。利用這段時間,我向大家簡單地介紹一下懸空寺。

懸空寺,位於恆山腳下,在大同市渾源縣城城南五公里處的金龍峽內西巖峭壁上。自古以來,這裡一直被列為北嶽恆山的第一奇觀。新加坡電視連續劇《蓮花爭霸》曾在這裡取景。

懸空寺,懸掛在北嶽恆山金龍峽西側翠屏峰的半崖峭壁間,始建於北魏太和15年(公元491年),始建初期,最高處的三教殿離地面90米,因歷年河床淤積,現僅剩58米。1957年列為山西省重點文物保護單位,1982年,列入全國重點文物保護單位。整個寺院,上載危崖,下臨深谷,背巖依龕,寺門向南,以西為正。全寺為木質框架式結構,依照力學原理,半插橫樑為基,巧借岩石暗託,樑柱上下一體,廊欄左右緊聯。僅152.5平米的面積建有大小房屋40間。懸空寺的總體佈局以寺院、禪房、佛堂、三佛殿、太乙殿、關帝廟、鼓樓、鐘樓、伽藍殿、送子觀音殿、地藏王菩薩殿、千手觀間殿、釋迦殿、雷音殿、三官殿、純陽宮、棧道、三教殿、五佛殿等。

山西大同導遊詞 篇8

懸空寺,位於恆山腳下,在大同市渾源縣城城南五公里處的金龍峽內西巖峭壁上。自古以來,這裡一直被列為北嶽恆山的第一奇觀。

大家請抬頭看,殿樓的分佈都對稱中有變化,分散中有聯絡,曲折迴環,虛實相生,小巧玲瓏,空間豐富,層次多變,小中見大,不覺為彈丸之地,佈局緊湊,錯落相依,其佈局既不同於平川寺院的中軸突出,左右對稱,也不同於山地宮觀依山勢逐步升高的格局,均依崖壁凹凸,審形度勢,順其自然,凌空而構,看上去,層疊錯落,變化微妙,使形體的組合和空間對比達到了井然有序的藝術效果。遠望懸空寺,像一付玲瓏剔透的浮雕,鑲嵌在萬仞峭壁間,近看懸空寺,大有凌空欲飛之勢。

懸空寺不僅外貌驚險,奇特、壯觀,建築構造也頗具特色,形式豐富多彩,屋簷有單簷、重簷、三層簷,結桅構有抬樑結構、平頂結構、斗拱結構,屋頂有正脊、垂脊、戧脊、貧脊。總體外觀,巧構巨集制,重重疊疊,造成一種窟中有樓,樓中有穴,半壁樓殿半壁窟,窟連殿,殿連樓的獨特風格,它既融合了我國園林建築藝術,又不失我國傳統建築的格局。

懸空寺內現存的各種銅鑄、鐵鑄、泥塑,石刻造像中,不少風格,體例具有早時期的特點,是具有較高藝術價值的珍品。

現在大家有30分鐘的自由瀏覽時間,請大家注意安全,準時回到這裡集合。

山西大同導遊詞 篇9

hello everyone!

Datong, a city under the jurisdiction of Shanxi Province, is one of thefirst batch of 24 national historical and cultural cities in China, one of thefirst batch of 13 larger cities in China, one of the nine ancient capitals inChina, national new energy demonstration city, China's excellent tourism city,National Garden City, National double support model city, nationaltransportation hub city, China's sculpture City, and China's top ten sports andleisure city.

Datong is the vice central city of Shanxi Province and the second largestcity in Shanxi Province. It is located in the center of Datong Basin in thenorth of Shanxi Province, the junction of Shanxi, Hebei and Inner Mongolia, andthe northeast edge of the Loess Plateau. In fact, it is the barrier of the wholeShanxi Province, the gateway of the north, and the throat of Shanxi, Hebei andInner Mongolia. It is a place that must be contested by military strategists inthe past dynasties.

Datong, formerly known as Yunzhong and Pingcheng in ancient times, was thecapital of the Northern Wei Dynasty and the capital of Liao and Jin e are many historic sites in Datong, including Yungang Grottoes, HuayanTemple, Shanhua temple, Hengshan Xuankong Temple, Jiulongbi, etc.

Datong is one of the largest coal energy bases in China, the national heavychemical energy base, the midpoint of Shenfu, Zhungeer emerging energy zone andBeijing Tianjin Tangshan developed industrial zone. It is known as "PhoenixCity" and "coal capital of China".

Datong, a city with unique natural and geographical conditions, hasachieved remarkable results in urban greening and garden coverage after years ofinvestment and construction. On January 14, 20__, Datong City was officiallynamed "national garden city" by the Ministry of housing and urban ruraldevelopment.

山西大同導遊詞 篇10

At present, the place where we are is Xuankong Temple. The characteristicsof the whole Xuankong Temple can be summarized in three words, that is,"strange, dangerous and clever".

In Xuankong Temple, we will find that there are many statues in XuankongTemple, but three of them are the most precious. The reason why they are nobleis that their molding art is very unique, and they are made by the process ofyarn stripping. It is 50cm high and weighs only 3kg. It is the lightest and mostvaluable statue in the temple.

Then the second and third part of Xuankong Temple is the real wooden pillars outside give people the feeling that they support the wholetemple by more than a dozen wooden pillars. In fact, most of those woodenpillars are not load-bearing. We can see that the plank road connects each e are some beams under the plank road. These beams are inserted into therock. During the construction, the rock is chiseled out of the small belly largestone cave, and the tapered wooden wedge is placed inside, Make the crossbeaminto a scissor shape and smash it with a strong force. The greater the force onthe outside, the tighter the bite on the inside. They press the force on therock.

As we all know, Hengshan has always been a place for military strategists,so the rulers of each dynasty have their own religion to worship, and the threereligions hall is a collection of Buddhism, Taoism and Confucianism, which willbe protected in any dynasty. This is also a political reason why Xuankong Templewill not be destroyed for thousands of years.

Now let me show you around the hanging temple.

山西大同導遊詞 篇11

殿樓的分佈都對稱中有變化,分散中有聯絡,曲折迴環,虛實相生,小巧玲瓏,空間豐富,層次多變,小中見大,不覺為彈丸之地,佈局緊湊,錯落相依,其佈局既不同於平川寺院的中軸突出,左右對稱,也不同於山地宮觀依山勢逐步升高的格局,均依崖壁凹凸,審形度勢,順其自然,凌空而構,看上去,層疊錯落,變化微妙,使形體的

組合和空間對比達到了井然有序的藝術效果。遠望懸空寺,像一付玲瓏剔透的浮雕,鑲嵌在萬仞峭壁間,近看懸空寺,大有凌空欲飛之勢。登臨懸空寺,攀懸梯,跨飛棧,穿石窟,鑽天窗,走屋脊,步曲廊,幾經周折,忽上忽下,左右迴旋,仰視一線青天,俯首而視,峽水長流,叮咚成曲,如置身於九天宮闕,猶如騰雲皈夢。

懸空寺不僅外貌驚險,奇特、壯觀,建築構造也頗具特色,形式豐富多彩,屋簷有單簷、重簷、三層簷,結桅構有抬樑結構、平頂結構、斗拱結構,屋頂有正脊、垂脊、戧脊、貧脊。總體外觀,巧構巨集制,重重疊疊,造成一種窟中有樓,樓中有穴,半壁樓殿半壁窟,窟連殿,殿連樓的獨特風格,它既融合了我國園林建築藝術,又不失我國傳統建築的格局。

懸空寺內現存的各種銅鑄、鐵鑄、泥塑,石刻造像中,不少風格,體例具有早時期的特點,是具有較高藝術價值的珍品。

懸空寺是歷代文人墨客嚮往之處,古代詩人形象的讚歎:飛閣丹崖上,白雲幾度封,蜃樓疑海上,鳥到沒雲中。公元735年,詩仙李白遊覽後,在巖壁上寫下了壯觀二個大字。明崇禎六年,徐霞客遊歷到此,稱之為天下巨觀。李鐵映同志1989年來恆山視察時,揮毫寫下了偉哉神工四個大字,當人們感概之餘,不競要問,建懸空寺的初衷是什麼?為什麼歷經1500多年,能夠儲存完好?

懸空寺由於科學的選址,是建在崖壁凹回去的部分,且兩邊突出的山崖緩解了風勢,東邊天峰嶺遮擋了太陽,年平均日照時間為2小時,風侵,雨蝕、日晒都對其損害不大。

山西大同懸空寺導遊詞3

公元398年,北魏建都平城(今大同市),北魏天師道長寇謙之(公元365-448)仙逝前留下遺訓:要建一座空中寺院,以達上延霄客,下絕囂浮。換句話來說,就是讓人們上了這處寺院,感到與天上的神仙共語,而將人世間煩惱拋掉。從天師仙逝到始建的43年間,他的弟子們多方籌資,精心選址設計,乃至寺廟宗教內容的構思都超出了常人的智慧,將陶巨集景(公元456-540)明確提出三教合流的思想,巧妙地體現在一處空中寺院內,並將三教殿建在寺院的最高處,使三位教主共居一殿,他們神態各異。殿內正中端坐佛主釋迦牟尼,慈和安祥,左邊是儒家始祖孔子,微笑謙恭,右邊是道教主老子李耳,清高割達,在友好的氣氛中進行對話,三教殿內的宗教內容,佛、道、儒的和平共處,體現了儒家思想和為貴、仁者愛仁、智者見智以及道家的無量度人,禮度為先和佛教普渡眾生的思想,是三教思想融恰昇華的展示,為指點世人化解矛盾紛爭作出了榜樣。因此,懸空寺始建至今,地處歷代兵家必爭之地的恆山,不但沒有

遭到破壞,而且歷代都加以維修、完善,(懸空寺的現貌是儲存了金大定18年修繕後的基本原貌),足以說明天下渴望和平的無窮力量。

山西大同導遊詞 篇12

大家好!我是郝晨伊小導遊。今天,由我來帶領大家參觀山西恆山的懸空寺。

現在,我們一起走近懸空寺。你瞧,只有三層高的寺廟,全部由木頭搭建而成。在懸崖峭壁之間蜿蜒盤旋,顯得十分高大雄偉。懸空寺創建於北魏後期,已經經歷了1400多個年頭,所以樓梯十分古老,大家一定要小心腳下,待會兒走到頂樓時,還會聽到一些“嘎吱嘎吱”的響聲。不過,沒有關係,大家不用慌,懸空寺雖然看起來十分懸,但它的內部其實是由十多根堅固的石柱支撐著的,只要我們文明參觀,安全是沒有問題的。

現在,大家馬上要走過一段木板路來到堅硬的石板路了。這段石板路上有8間房,是當地相信佛教的人每年進去拜菩薩的地方。如果你們想去拜拜,也可以進去體驗一下。跨過門檻,就來到“密道”,這條路黑漆漆的,讓人感覺可能有點陰森。但是,它可是一條近路哦。可以讓我們快速地下到二樓。

大家跟緊了,拐一個彎後,我們就會看到懸空寺中最著名的那片竹瓦。每當天氣晴朗,陽光普照時,竹瓦就顯得金光閃閃,無比耀眼。我們今天很幸運,遇到一個大晴天,可以飽覽竹瓦以及遠處恆山上的美景呢!

好了,給大家30分鐘自由活動的時間,可以再逛一圈懸空寺,太陽下山前,我們在山下小溪邊集合!

山西大同導遊詞 篇13

山川之美,古來共談,大自然總是無私的把它的美奉獻給您,但是,當您正在陶醉自己的足跡已踏遍大江南北時,請千萬不要認為,您已經真正認識到我們中華九州千千萬萬個廬山真面目,因為當您順著東方古老文化的搖籃黃河走來時,一定就會發現,彪炳千古的文物古蹟在山西境內是星羅棋佈。今天,我們遊覽的就是舉世聞名的高空建築——懸空寺。

懸空寺位於五嶽之一恆山的腳下,地處山西省渾源縣城南五公里處的金龍峽內西巖峭壁上。自古以來,這裡一直被列為北嶽恆山的第一奇觀。據《恆山志》中記載,懸空寺創建於北魏後期(公元471——523年),距今已有1500多年的歷史,明代旅行家徐霞客曾驚奇的稱之為“天下巨觀”,由此可見,懸空寺是怎樣的值得一觀。

懸空寺坐西朝東,面對摩天接雲的恆山主峰天峰嶺,背靠恆山的另一座主峰翠屏峰。硃紅色的寺廟在褐黃色的山石的映襯下,色彩協調,比例勻稱,全寺為木質所建,樓體大都懸空,下面就巖支撐的木柱都不及碗口粗,共有大小殿閣40多間,各種雕像80多尊,懸空寺距谷底有26米,它的最高處離地面大約有50米,舉目遠眺,懸空寺像一塊玲瓏山木雕鑲嵌在翠屏峰的萬仞峭壁上。它上載危巖,下臨深谷,怵目驚心。當地人稱之為懸空寺,半天高,三根馬尾空中吊,這流傳的民謠固然誇大得過分,然而懸空寺結構之驚險,造型之奇特,卻令人叫絕,難怪遊人們都說,未上懸空寺,心倒是給懸起來了。

但是,在我國古代,我們的古人又是怎樣憑虛而建懸空寺的呢?清代同治年間的一塊石碑上寫著,“不知者以為神為之也”。相傳,在當年修懸空寺時,一位姓張的師傅率領一群巧匠承攬施工,他們把所用材料在山下加工,然後繞幾十裡山路運到寺頂山頭,連人帶料吊下半崖,凌空施工,然而懸空寺的整個建築是依據力學原理,半插飛樑為基,巧借岩石暗託尤其是連線棧道的支撐木把懸空二字型現得淋漓盡致。至今我們還可以看到因為相互連線而留下來的鐵環。懸空寺在1400年間僅維修過幾次,每一次可維持數百年。現在,讓我們從側面看一看它特殊的地理位置。懸空寺是凹進崖龕中的,三面環山,不受西北來的任何氣流襲擊,一天內日照時間只有3個小時,可少受日光侵蝕,延緩風化。可見,古人對建築氣象還是頗有研究的。置身其間,我們似乎可以感到,正是由於古人殫精竭慮,才成就這天地間有獨無偶,千年懸而不墜的空中閣樓,它的玄妙構思和自然山水的巧妙結合,可以說是達到了出神入化的極致。

據雁北地方史有關專家統計,歷史曾經有24個皇帝到過恆山一帶,有13個皇帝曾親自帶兵在這裡打過仗,僅大的戰爭就不下十次,那麼為什麼懸空寺卻千年無毀且容顏依舊呢?讓我們一起到懸空寺的最高處——三教殿,去尋找答案。殿內,中尊是佛教創始人釋迦牟尼,左邊是儒家學說代表孔子,右邊是道家教聖老子,三個人都是豐臂潤面,端坐蓮臺。但是如果你仔細觀察他們的面部表情,就不難窺探到他們隱祕的內心世界,釋迦牟尼對自己居中似乎認為理所應當,看上去泰然自若,悠然自得。是的,佛陀一生歷劫成道,證悟出高深的思想智慧,成為三界的導師,四生的慈父,確實是功德巍巍,而我們的孔老夫子卻一臉的不滿意,“我主張的儒家思想是東方文化的代表,直至今天仍安富尊榮,同天並老,現在,怎麼能讓你一個外國人居中呢?”與他們同樣屈居次坐的老子卻神態安詳,笑意盎然,一副與世無爭的道家本色,認為世事難測,還是順其自然吧。看來,他們的矛盾已接了1400年都沒有頭緒,我們局外人也就免開尊口吧,但佛、道、儒三教始祖同居一室世所罕見,這正是古人的聰明之處,歷代統治者所信仰的不外乎這三種,因此不論怎樣改朝換代,懸寺都能迎合統治者的需求,因此它所受到的庇護是其他寺廟所不及的,正所謂“自古佛門多虔誠,暮鼓晨鐘誦太平”。

各位遊客懸空寺的遊覽我們到這裡就結束了,寺廟建在山上,使朝拜者如登天梯,而它坐落在西邊,無形中又吻合了西方極樂淨土,難怪王維會有“一生幾許傷心事,不向空門何處消”的佳句。總之,不論你上看下看左看右看,懸空寺都有一種流動的美,正應了蘇東坡的一名句,“橫看成嶺側成峰,遠近高低各不同”。這其中的奧妙你就慢慢去品吧!

上下五千年,悠悠三晉史,歷史的變遷給山西大地遺留了寶貴的文化遺產,至今仍迷醉著旅遊者的雙眼。俗話說“物惟求新,人惟求舊”。讓我們相約再聚龍城,最後,祝大家好花常開,好景常在!

山西大同導遊詞 篇14

My friends, the scenic spot we are going to visit today is Jiulongbi inDatong. The tour time is about 2 hours. Please don't take photos or touch thewall during the tour. Now, please check the tour bus license plate and XiaoZhang's mobile phone number again. If you have anything, please contact me intime.

Jiulongbi was built in the last years of Hongwu in Ming Dynasty. It is theZhaobi in front of the house of Zhu GUI, the 13th son of Emperor Zhu Yuanzhangof Ming Dynasty. Together with the Jiulongbi in Beijing Palace Museum and BeihaiJiulongbi, it is called "three major Jiulongbi in China". Unfortunately, thepalace was destroyed in the end of Chongzhen. Jiulongbi was preserved because itwas separated from Heyang street. On June 25, 20__, as an ancient building ofMing Dynasty, Datong Jiulongbi was approved by the State Council to be listed inthe fifth batch of national key cultural relics protection units.

Jiulongbi is 45.5 meters long from east to west, 8 meters high and 2.02meters thick. It is the largest and oldest existing dragon wall in China. It canbe called the first dragon wall in China. The top of the wall is covered withglazed tiles, and the top is supported by glazed brackets. The wall is made of426 pieces of specially made multicolored glass. Nine flying dragons aremajestic and soaring on the wall. On both sides is the pattern of sun and gap of the dragon is filled with the patterns of rocks, flowers and the bottom of the wall is xumizuo, 2.09 meters high, with 41 groups of ErlongXizhu patterns carved on it. The waist is made up of 75 pieces of glass bricks,with various animal images such as cattle, horses, sheep, dogs, deer andrabbits. The most beautiful time of the nine dragon wall is when the sun that time, the nine dragon wall is bathed in the dazzling brilliance, and thegiant dragon seems to travel through the flowing clouds, just like the realdragon reappearance, which is fascinating.

Different from Beihai in Beijing and Jiulongbi in the Forbidden City, theDragon claws of Jiulongbi in Datong are four clawed dragons, which distinguishesthe status of the Daiwang and the emperor, but it also shows the status ofDaiwang in the current Dynasty.

After appreciating the majestic momentum of Jiulongbi, you must be verycurious about the origin of Jiulongbi. Ha ha, don't worry about it. Next, let mesay it for you. It's like this: Zhu GUI, the 13th son of Zhu Yuanzhang, theemperor of Ming Dynasty, didn't read poetry since he was a child. He wasstubborn and eccentric. He didn't dare to give stars to the moon, and hecouldn't get a pig's tail or a cow's head. Zhu Yuanzhang made him king of Yuwhen he was enfeoffed as a vassal king, and later he was changed to a king ofDai Dynasty to guard Datong. When Daiwang arrived in Datong, he often killedpeople for no reason in the streets. People in Datong called him "LengzhengDaiwang" behind his back. Xu Shi, the imperial concubine of Dai Wang, was anugly and jealous shrew. She once painted the two beautiful girls of Dai Wangblack on the bottom of the pot to vent their jealousy. In this way, the couplestirred up Datong City and the people were in dire straits.

After Zhu Yuanzhang established the king of Yan to succeed to the throne,the king of Dai made a big fuss in the golden palace, shouting that he wouldbecome emperor too. Zhu Yuanzhang had no choice but to build large-scalebuildings and palaces in the city of Datong, so that the Daiwang could live anemperor's life. Up to now, there are street names such as "Huangcheng Street","Zhengdian Street" and "Donghuamen" in the ancient city of Datong, which are theruins of the old imperial palace.

One day, this Leng Wang Ye suddenly wants to go to Yan Di to see his fourthbrother Zhu Di. The king of Yan was annoyed and afraid of him, but he had nochoice but to entertain him with a small feast for three days and a big feastfor five days. One day, Dai Wang strolled outside the palace full of wine andfood. When he saw that a new glazed nine dragon wall had been built in front ofthe palace, he clamored to build one in front of the palace of Datong, andbrought the design back to Datong. When the princess found out, she asked forhelp

It must be two feet longer, two feet higher and two inches thicker than theDragon Wall in the palace of King Yan. The king of Dai had no choice but toagree. Therefore, the Dragon Wall in Datong is the largest in scale, and the onein the Forbidden City can't match it.

Half a year later, nine dragon wall was built. Zhu GUI, the king of DaiDynasty, Xu Da, the old general, and his daughter, Xu Shi, went up to the citytower to watch. In the sun, the glazed tiles on the top of the wall weredazzling, and the nine colored glass dragons on the wall were lifelike. Daiwangcheered with joy. After a while, the clouds were thick and it began to the palace lanterns were all on, through the rain curtain, the colorfulwall was bathed in Jiulong water. It was complicated and confusing, and had aspecial taste. So there was the saying of playing Dragon in the rain.

The king called out again, and suddenly there were three thunders in theair. Zhu GUI was startled. In a trance, he saw two dragons flying from the sky,black and yellow, spitting water like a spring in front of the wall. It turnedout that the dragon on the Dragon Wall confused the real with the fake, whichattracted the giant dragon in the sky to send rain. After the rain, the rainbowis in the sky, the sunset is red, and the Jiulongbi which has been bathed ismore dazzling. Dai Wang orders people to go to find out if there are any scarson the dragon wall. The people who came back reported that jinpocang behindlongbi was blasted out of two wells, one sweet and one bitter, within threesteps. Now jinpocang has two wells, which is also a scene of Jiulongbi. Therewas also a pit in front of the dragon wall, which was filled with green Wang asked people to build a pool in front of the wall. Water from two wellsis introduced into the pool, sweet water is used for food, and bitter water isused for treatment. The nine dragons are reflected in the water. The wind blowsand the water moves. It's like a dragon playing in the water. It becomes anotherscene of the nine dragon wall.

Well, that's all for the explanation. Next, let's enjoy it by er here in 2 hours. Have a nice trip!

山西大同導遊詞 篇15

朋友們,今天我們要遊覽的景點是大同的九龍壁。遊覽時間2小時左右,遊覽過程中請不要拍照,更不要觸控壁身。現在呢,請大家再次核對一下旅遊車牌照和小張的手機號,有什麼事情請及時與我聯絡。  九龍壁建於明代洪武末年,是明太祖朱元璋第十三個兒子代王朱桂府前的照壁,與故宮九龍壁、北海九龍壁合稱為“中國三大九龍壁”。可惜王府於崇禎末年毀於兵火。九龍壁因隔和陽街而立才得以儲存。20__年6月25日,大同九龍壁作為明代古建築,被國務院批准列入第五批全國重點文物單位名單。  九龍壁座南朝北,東西長45.5米,壁高8米,厚2.02米,是中國現存規模最大,歷史最悠久的一座龍壁,堪稱中國九龍壁之首。壁頂覆蓋琉璃瓦,頂下由琉璃斗拱支撐。壁面由426塊特製五彩琉璃拼砌而成,9條飛龍氣勢磅礴,飛騰之勢躍然壁上。兩側是日月圖案。龍的間隙由山石、花草圖案填充,相映成趣。壁底是須彌座,高2.09米,上雕41組二龍戲珠圖案。腰部由75塊琉璃磚組成浮雕,有牛、馬、羊、狗、鹿、兔等多種動物形象,生動活潑。九龍壁最美的時候是朝陽升起之時,那時的九龍壁沐浴在耀眼的裡,巨龍彷彿在流雲中穿行,猶如真龍再現,引人入勝。  不同於北海與故宮九龍壁,大同九龍壁的龍爪是四爪龍,這就區別了代王與的地位差別,不過這也足見代王在當朝的地位。  領略了九龍壁的磅礴氣勢,大家一定很好奇九龍壁的來歷吧,呵呵,不急不急,接下來就由我來為大家說道說道~是這樣的:明太祖朱元璋第十三個兒子朱桂從小不讀詩文,秉性頑劣,脾氣古怪,要星星不敢給月亮,吃豬尾巴拿牛頭也換不來。朱元璋在分封藩王時就封他為豫王,後改封代王,鎮守大同。代王到了大同,街裡,經常無故,大同百姓背地叫他“愣怔代王”。而代王的正妃徐氏呢,是個又醜又妒的潑婦,一次竟把代王的兩個漂亮待女滿臉塗上鍋底黑,以洩妒火。就這樣,兩口子把大同城攪得雞犬不寧,。  朱元璋立燕王繼承後,代王就大鬧金殿嚷著也要當。朱元璋沒法子,只好在大同城內大興土木,修建,讓代王過過癮。至今大同古城內還有“皇城街”、“正殿街”、“東華門”等街道名稱,都是舊的遺址。  一天,這位愣王爺忽然想去燕地看四哥朱棣。燕王對他又煩又怕,但又無可奈何,只好捺著性子三天一小宴五天一大宴地款待著。一天代王酒足飯飽在王府外閒逛,看見王府門前新修了一座琉璃九龍壁,就吵嚷著要在大同的前也造一座,並撒潑把圖樣帶回了大同。王妃知道後,要求  一定要比燕王府的龍壁長二尺、高二尺、厚二寸,代王無奈,只好應允,所以大同的九龍壁規模最大,故宮裡的那座也比不了它。  半年以後,九龍壁建成。代王朱桂、老將軍徐達及其女兒王妃徐氏登上城樓憑欄觀賞,陽光下壁頂的琉璃瓦光彩耀眼,壁面上的九條琉璃彩龍栩栩如生。代王高興得大聲叫好。一會兒,濃雲密佈,下起雨來。代王便命人掌燈,宮燈齊亮時,透過雨簾,彩壁上九龍浴水,撲朔迷離,別有一番情趣,於是有了雨中戲龍一說。  代王又叫了一聲好,忽然空中接連三聲驚雷。朱桂一驚,看見從天上飛來一黑一黃兩條龍,在壁前吐水如泉。原來,龍壁上的龍以假亂真,引來天上的巨龍送來了甘霖。雨後彩虹當空,晚霞通紅,沐浴過的九龍壁更加璀璨奪目,代王忙命人前去打探龍壁有無傷痕。回來的人稟報,龍壁後面的金泊倉三步之內被雷炸出了一甜一苦兩眼井,就是現在的金泊倉兩步兩眼井,也是九龍壁一景。龍壁前還被雷轟了一個坑,裡面積滿了碧水,代王就讓人在壁前砌了一個水池。水池引入兩井的水,甜水食用,苦水治病。九條龍倒映在水中,風吹水動,像游龍戲水,成為九龍壁的又一景。  好啦,就到這裡了,下面呢就由大家自己欣賞啦!2小時後在這裡集合,祝您旅途愉快!