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揚州大明寺導遊詞(通用16篇)

欄目: 江蘇導遊詞 / 釋出於: / 人氣:2.41W

揚州大明寺導遊詞 篇1

大明寺位於揚州瘦西湖西北角的蜀岡中峰上,因始建於南朝宋孝武帝大明年間(公元457-464年)而得名,現在看到的寺是清同治年間建的。唐代名僧鑑真東渡日本前,即在大明寺傳經授戒,該寺因此出名。

揚州大明寺導遊詞(通用16篇)

整個大明寺分三個部分,中部是主體寺廟建築,東部是棲靈塔,西部是園林式的後花園——西園。按中部-東部-西部的順序即可遊覽全大明寺。

沿著舒緩的臺階爬上山——山不高,海拔才28米,即來到大明寺的正門。山路兩邊有很多出售香火的小販,不要買,外面的香是不準帶入寺內的。請香在寺內,60元起,比較貴,你可以不燒香只拜一拜。

景區中部的主體寺廟建築沿南北走向分三路。中軸線上從南到北依次是牌樓、同時扮演著天王殿角色的山門、大雄寶殿。西路上主要看歐陽修,南邊是歐陽修任揚州太守時建的平山堂,後來蘇東坡任揚州太守時,為紀念歐陽修在平山堂後建造了谷林堂,北邊是歐陽祠。東路南邊是方丈室平遠樓,北邊是鑑真紀念堂,鑑真紀念堂東還有藏經樓。

其中鑑真紀念堂是大明寺最重要的建築。鑑真曾六次東渡,為日本帶去了中國的佛教與文化,在日本奈良主持建造唐招提寺並最終圓寂於此寺,鑑真紀念堂於20世紀6、70年代建造時即模仿唐招提寺的樣子。紀念堂前碑亭裡立著刻有郭沫若題寫的“唐鑑真大和尚紀念碑”漢白玉碑。院子的正當中有一個石燈籠,為日本唐招提寺長老所送,與唐招提寺中的另一個石燈籠是一對。紀念堂內供奉著楠木做的鑑真坐像,仿唐招提寺裡鑑真像,是他圓寂時的模樣。紀念堂對面原來的晴空閣現為鑑真史料館,可以從圖文介紹中瞭解到鑑真的事蹟。

景區東部的棲靈塔,原是隋朝皇帝楊堅為慶賀生日而建,現在看到的塔是按照隋朝的塔復原重建的。塔高9層,裡面供奉著舍利子和一尊楠木佛塔。爬到塔頂則可俯看整個大明寺,遠眺瘦西湖與揚州城景色。棲靈塔的東、西兩側分別為鐘樓和鼓樓,塔北的臥佛殿能看到來自緬甸的玉佛。

景區西部的後花園西園,因與乾隆下江南有關,又叫御園,園中和所有江南園林一樣,假山、亭臺樓閣林立,正中一片湖水是放生池。湖東有乾隆御碑亭,立著三塊乾隆御碑。湖中有天下第五泉,這個“第五”是唐代《煎茶水記》的作者張又新評的。乾隆御碑往南走一點,即能看到“第五泉”石碑和一口古井。

揚州大明寺導遊詞 篇2

現在我們再去瞻仰棲靈塔。有寺廟的地方必有塔,通常人們常說:“救人一命,勝造七級浮屠”,浮屠是印度梵文中塔的別稱。棲靈塔於隋文帝仁壽元年(601年)初建,塔高九層,雄踞蜀岡,塔內供奉佛骨。隋唐時期,揚州的政治經濟發展很快,已成為全國第三大都會,繁華程度僅次於長安、洛陽。唐代詩人李白、高適、劉長卿、劉禹錫、白居易等均曾登塔賦詩讚頌。可惜在唐武宗會昌三年(843年)一代勝蹟化為焦土。1980年鑑真大師塑像回揚州“探親”,各界人士倡議重建棲靈塔。1988年,大明寺方丈瑞祥法師在該寺東國選址重建。瑞祥法師圓寂後,由能修法師主持棲靈塔的重建,於1993年8月27日開機鑽探,總造價達1000萬元以上,總建築面積1865平方米,總高度為70米,建成後的棲靈塔氣勢雄偉,雄踞蜀岡,成為大明寺的標誌性景觀。登L塔頂,揚州景觀盡收眼底。

各位遊客大家好!

歡迎您來江蘇大明寺遊覽,我是導遊員小萌。今天有幸陪同大家遊覽江蘇大明寺,共度美好時光,我感到十分榮幸。

大明寺位於揚州西北郊的蜀岡之上。它既是一座佛叫廟宇,也是一方風景名勝,由大雄寶殿、平遠樓、平山堂、御園、鑑真紀念堂、棲靈塔、天下第五泉等組成。

大明寺殿內迎面坐著釋迦牟尼等三尊大佛;背面為海島,上有觀音腳踏鰲頭的立像。殿內東西兩側分列著十八羅漢,這裡常年香菸繚繞,經聲不斷,每年元旦前夕,常有日本客人來此撞鐘,以求幸福。

棲靈塔

西隋朝時,隋文帝楊堅篤信佛教,仁壽元年(601)他過生日,曾下詔在全國建立三十座供養佛舍利的塔,揚州棲靈塔,便是其中之一,唐代大詩人李白曾登臨此塔,讚歎道:“寶塔凌蒼蒼,登攀覽四荒”,稱讚寶塔氣勢磅礴。

白居易、劉禹錫同遊該塔,兩人同齡,都是55歲的人了,但精神很好,興致很高,在揚州玩了半個月,登棲靈塔是他們這次遊覽的高潮,白居易寫詩道:“半月騰騰在廣陵,何樓何塔不同登。共憐筋力尤堪任,上到棲靈第九層”。劉禹錫寫詩道:“步步相攜不覺難,九層雲外倚闌干。忽然笑語半天上,無數遊人舉眼看”。

他們是以登上棲靈塔為自豪的,現在該塔修復,塔身方形,總高度為70米,共9層。塔為仿唐式塔,東西南北每面四柱三間,一門二窗,平座腰簷,出簷深遠,屋面平坡,腰鼓形柱,直櫺形窗。塔雄踞蜀崗之上,氣勢雄偉,古樸典雅,遠觀似孤峰聳秀,矗入雲霄;登臨則眼界頓開,胸襟曠達。

鑑真紀念堂

揚州鑑真紀念堂是為紀念唐朝律學高僧鑑真而建。鑑真是當時淮南地區極有名望的佛教首領,他拜唐代律宗祖師道岸為師,受請東渡日本傳法,於奈良東大寺設壇傳戒,又建立唐招提寺,成為日本律宗初祖。鑑真是友好使者,他曾六次東渡,歷時十年,雖雙目失明而矢志不渝,在日十年不僅辛勤傳法,而且把唐代繪畫、書法、雕塑、醫藥、工藝、印刷、建築等成就的文化帶至日本,實際上是一僧團形式的文化代表團。他使魏晉以來中日兩國人民互相友好的夙願和以圓滿的實現。1963年鑑真圓寂1200週年,中日雙方商定,舉行隆重的紀念儀式,我佛教協會主席趙樸初和日本佛教首領大谷瑩潤分別代表兩國鑑真紀念委員會,商定在此建造紀念堂,1973年動工,1974年竣工

揚州大明寺導遊詞 篇3

揚州大明寺位於江蘇省揚州市蜀岡中峰,唐天寶元年(742年),名僧鑑真東渡日本前,即在此傳經授戒,該寺因以名聞天下。 大明寺及其附屬建築,因其集佛教廟宇、文物古蹟和園林風光於一體而歷代享有盛名,是一處歷史文化內涵十分豐富的民族文化寶藏。 千年古剎,歷經劫難,終獲新生。隋朝仁壽元年(620xx年),皇帝楊堅為慶賀其生日,下詔於全國建塔30座,以供養佛骨,該寺建“棲靈塔”,塔高九層,巨集偉壯觀,被譽為“中國之尤峻特者”,故寺又稱“棲靈寺”。

唐朝鑑真法師任大明寺住持,使大明寺成為中日佛教文物關係史上的重要古剎。唐會昌三年(843年),九層棲靈塔遭大火焚燬。後經僧人募化重建,但屢有圮廢。 北宋慶曆年間,歐陽修任揚州太守時建平山堂。明萬曆年間,揚州知府吳秀重建大明寺,崇禎十二年漕御史楊仁願再次重修。清康乾盛世,大明寺擴建為揚州八大名剎之首。清乾隆三十年(1765年),乾隆巡遊揚州,改題“法淨寺”。然而咸豐三年(1853年),寺廟又毀於太平軍兵燹。此後,大明寺幾經修建,規模漸大。現 寺為清同治年間兩準鹽運使方浚頤建。

1949年後以後,人民政府認真貫徹落實宗教信仰自由政策,多次整修擴建這一南朝古剎。1958年,大明寺被列為江蘇省保護單位。 “文化大革命”時期,“紅衛兵”以“破四舊”為名,要砸爛寺廟內佛像。周恩來緊急電諭,命令堅決保護大明寺古蹟。地方政府及時封閉了寺廟,使古剎倖免於難。1979年,寺廟全面維修,佛像貼金,大明寺煥然一新。1980年,為迎接鑑真大師回國巡展,複名“大明寺”。

揚州大明寺導遊詞 篇4

紀念碑是樑思成一夜之間設計而成的,他設計成功後,高興地告訴陳從周教授,說是我國傳統的紀念碑以豎碑為多,碑面光滑,天花飾邊框,而鑑真紀念碑採用橫式,周圍邊框突出,中間陰文鐫字,正面為郭沫若題唐鑑真大和尚紀念碑,背面刻趙樸初在紀念堂奠基典禮上寫的文章。這就打破傳統格局,在傳統基礎上創新,有了時代感。底座的花飾採用蓮花座作底,蓮花座託碑,因蓮花獨具神聖,出汙泥而不染,濯清漣而不妖,中空外直,不枝不蔓,且蓮的絲長(思長),象徵佛教思想天下眾生,所以蓮花一直成為佛教的象徵。蓮花座之上有卷葉草為主題的紋樣花飾,原來樑思成在快設計完畢時感到唐這個字不好體現,陳從周立刻提議用該草為紋飾,因其是唐朝特有的草,以象徵鑑真生活的年代。正堂完全仿照日本招提寺主體建築金堂樣式,只是型制由七楹變為五楹,金堂是鑑真當年親自設計,保持了中國盛唐的建築風格,又揉和了日本當時建築的特點,現在紀念堂又仿照金堂,其用意當然是體現中日文化互相交融的特點。

紀念堂座北朝南,面闊五間,進深四間,四周高大的臺基上粗可兩人合抱的簷柱,柱為腰鼓狀,柱頭斗拱三重,線條渾圓飛動,正殿中央坐像為鑑真乾漆夾像,是我市雕塑藝術家劉豫按照日本招提寺模大和尚之影而造,結跏趺坐,合閉雙目,神態安祥。殿前石燈籠是鑑真大師象回故里時,現招提寺住持森木孝順長老所贈,已經十多年,長明不滅,站在燈前,不由使我們想起郭沫若先生對鑑真的讚譽:鑑真盲目航東海,一片精誠照太清。捨己為人傳道藝,唐風洋溢奈良城。

平山堂

平山堂是遊目騁懷的好地方。堂前古藤錯節,芭蕉肥美,通堂式的敞廳之上,平山堂三個大字的匾額高懸,這是名聞遐邇的宋代著名政治家、文學家歐陽修貶謫揚州太守時所建。可敬的是歐公不為世俗所羈,一到揚州,就愛上了蜀崗,於是在此建堂。史載,每到暑天,公餘之暇,他常攜朋友來此飲酒賦詩,他們飲酒方式頗為特別,常叫從人去不遠處的邵伯湖取荷花千餘朵,分插百許盆,放在客人之間,然後讓歌取一花傳客,依次摘其瓣,誰輪到最後一片則飲酒一杯,賦詩一首,往往到夜,載月而歸,這就是當時的擊鼓傳花。如今懸在堂上的坐花載月、風流宛在的匾額正是追懷歐公的軼事歐陽修最愛蓮花,其後調任安徽阜陽,到任第二天,他就來到該城的西湖之濱,見湖面開闊,但雜草叢生,於是遍植瑞蓮和黃楊,使西湖頓改舊觀,夏日時接天蓮葉,映日荷花,於是他寫詩道:菡萏香清畫舸浮,使君不復憶揚州。都將二十四橋月,換得西湖十頃秋。可見他是按照揚州瘦西湖的景緻安排阜陽的山水。堂前朱漆紅柱上的楹聯:過江諸山到此堂下,太守之宴與眾賓歡,是清太守伊秉綬所作,上聯以山喻人,顯現當年高朋慕名而至,談古論今的盛景;下聯借歐公《醉翁亭記》中句,表現歐公無法施展抱負的鬱悶和樂觀自適的落宕情懷。造句既佳,書法古樸,為平山堂楹聯之冠。

揚州大明寺導遊詞 篇5

大明寺地處城北蜀岡中峰,它以悠久歷史和優美環境,依山面水,享有“淮東*勝境”的盛名。眾多的文物古蹟,迷人的山水景觀,是集佛教廟宇、文物古蹟和園林風光於一體的遊覽勝地,古往今來高僧輩出,君王賢聖,騷人墨客,國內外風雅名流,曾雲集於此,遊覽觀光者無不流連忘返,虔誠祈求者,無不吉祥如意,福壽無量。大明寺初建於南朝宋大明年間(457~464年),故稱“大明寺”。隋建“棲靈塔”,故“大明寺”又稱“棲靈寺”;又因大明寺在隋宮、唐城之西,亦稱“西寺”。

棲靈塔因皇帝詔令存放釋祖之聖靈,使大明寺更具盛名,有棲靈寺之稱。唐代著名詩人李白、高適、劉長卿、劉禹錫、白居易等均登臨棲靈塔賦詩讚頌。劉禹錫與白居易於寶曆二年(820xx年)二人同遊揚州,賦詩《同樂天登棲靈寺塔》,內容是“步步相攜不覺難,九層雲外倚欄干;忽聞笑語半天上,無數遊人舉眼看”。可見當年詩人對棲靈塔的讚譽和遊人之多。可惜在唐武宗會昌三年(843年)一代勝蹟化為焦土,後來觀光者無不感慨嘆息。 棲靈塔塔身方形,九級佛塔置於2.50米高的承臺之上,塔下設地宮,主體結構為鋼筋混凝土,內部木結構樓閣式,總建築面積1865平方米。風格仿唐,東西南北每面四柱三間,一門兩窗,平座與屋簷由斗拱支撐。

塔高各層不一,總高度為70米。塔底層供奉四尊玉佛,面朝四方。這是緬甸仰光市市長吳哥禮於1996年贈送的,同時贈送的還有一尊高2.2米、長5.7米、重18口屯的臥佛,供奉在臥佛殿內。九層寶塔內繪製系列壁畫《善財童子五十三參》。組畫體現尊師重教、學而不厭,誨人不倦的精神,引導人們追求真、善、美。這是揚州畫師李賴賢先生的作品。該塔設計氣勢雄偉,雄踞蜀岡,一年四季,特別是秋高氣爽,遊客登塔絡繹不絕,揚州全城景觀盡收眼底。 唐時,棲靈塔毀於雷火,宋代重建,不久又廢圮。於後,寺名亦由棲靈寺複名大明寺。至清代(1765年),乾隆皇帝南巡,改名為“法淨寺”。1980年鑑真和尚塑像從日本到中國展出,稱之為“回國探親”乃恢復大明寺原名。

與棲靈塔北臺階相接的甬道直通臥佛殿。臥佛殿為單簷殿廡式建築,翹角飛簷,氣勢雄偉。臥佛殿建在高高的臺基上,簷下正中處高懸“臥佛殿”金字匾,出自中國佛教協會會長趙樸初手書。

在以大雄寶殿為主體的南北中軸線的偏東位置上,也形成了一個南北中軸線的建築群體,它就是以鑑真紀念堂正殿作為主體建築的一個群體,設計精妙,構制完美,堪稱近今建築的精品。

平山堂位於大明寺大雄寶殿西側的“仙人舊館”內,為北宋文學家歐陽修在揚州任太守時建,由平山堂、谷林堂、歐陽祠三部分構成,由南至北依次排列。今堂內還掛有“風流宛在”、“坐花載月”的匾額,堂北簷掛林肇元題“遠山來與此堂平”匾額。遊人至此,思古之情油然而生。

揚州大明寺導遊詞 篇6

大明寺位於揚州西北郊的蜀岡之上。它既是一座佛叫廟宇,也是一方風景名勝,由大雄寶殿、平遠樓、平山堂、御園、鑑真紀念堂、棲靈塔、天下第五泉等組成。

大明寺殿內迎面坐著釋迦牟尼等三尊大佛;背面為海島,上有觀音腳踏鰲頭的立像。殿內東西兩側分列著十八羅漢,這裡常年香菸繚繞,經聲不斷,每年元旦前夕,常有日本客人來此撞鐘,以求幸福。

棲靈塔

西隋朝時,隋文帝楊堅篤信佛教,仁壽元年(601)他過生日,曾下詔在全國建立三十座供養佛舍利的塔,揚州棲靈塔,便是其中之一,唐代大詩人李白曾登臨此塔,讚歎道:寶塔凌蒼蒼,登攀覽四荒,稱讚寶塔氣勢磅礴。

白居易、劉禹錫同遊該塔,兩人同齡,都是55歲的人了,但精神很好,興致很高,在揚州玩了半個月,登棲靈塔是他們這次遊覽的高潮,白居易寫詩道:半月騰騰在廣陵,何樓何塔不同登。共憐筋力尤堪任,上到棲靈第九層。劉禹錫寫詩道:步步相攜不覺難,九層雲外倚闌干。忽然笑語半天上,無數遊人舉眼看。

他們是以登上棲靈塔為自豪的,現在該塔修復,塔身方形,總高度為70米,共9層。塔為仿唐式塔,東西南北每面四柱三間,一門二窗,平座腰簷,出簷深遠,屋面平坡,腰鼓形柱,直櫺形窗。塔雄踞蜀崗之上,氣勢雄偉,古樸典雅,遠觀似孤峰聳秀,矗入雲霄;登臨則眼界頓開,胸襟曠達。

鑑真紀念堂

揚州鑑真紀念堂是為紀念唐朝律學高僧鑑真而建。鑑真是當時淮南地區極有名望的佛教首領,他拜唐代律宗祖師道岸為師,受請東渡日本傳法,於奈良東大寺設壇傳戒,又建立唐招提寺,成為日本律宗初祖。鑑真是友好使者,他曾六次東渡,歷時十年,雖雙目失明而矢志不渝,在日十年不僅辛勤傳法,而且把唐代繪畫、書法、雕塑、醫藥、工藝、印刷、建築等成就的文化帶至日本,實際上是一僧團形式的文化代表團。他使魏晉以來中日兩國人民互相友好的夙願和以圓滿的實現。1963年鑑真圓寂1200週年,中日雙方商定,舉行隆重的紀念儀式,我佛教協會主席趙樸初和日本佛教首領大谷瑩潤分別代表兩國鑑真紀念委員會,商定在此建造紀念堂,1973年動工,1974年竣工。

紀念堂由我國著名建築專家樑思成先生設計,他接受任務後專程赴日,參觀奈良唐招提寺和日本其他一些古建築,回國後,又對我唐代廟宇建造風格進行研究,精心設計這座紀念堂,體現了1963年中日兩國商定的精神:不僅從意義上,而且建築物本身也要成為中日友好的象徵。紀念堂分為兩組,一組為四鬆堂構成的清式四合院,南為紀念館,北為門廳,由遊廊周接,天井內有四棵古鬆,廊懸雲板、木魚,精舍巧建,清幽雅潔。另一組為仿唐式四合院,由紀念碑亭、紀念堂,再由超手遊廊將兩建築周接,園內植佳蘭芳卉,其中櫻花為1980年鑑真大師像回故里探親時,日本奈良唐招提寺森本孝順長老所贈。這兩組紀念堂一為清式,一為唐式,分之為二,但同處一條中軸線上,又合之為一。

揚州大明寺導遊詞 篇7

揚州人愛喝茶。喝茶先得種茶。揚州種茶歷史悠久。

五代毛文錫《茶譜》中稱揚州禪智寺,隋之故宮,寺旁蜀崗有茶園,其茶甘香,味如蒙頂。(蒙頂,是四川峨嵋蒙山之頂,山頂之茶是唐珍品,白居易曾作詩云揚子江中水,蒙山頂上茶)。當時蜀崗茶還作為貢品進貢,至今蜀崗有茶樹五百畝,其茶以芽尖鮮嫩,條索緊密,湯色明亮,清香濃重為宇內稱道。揚州不僅茶葉好,而且講究泡製,首先是水,最好的沖茶水當為五泉水。唐代狀元張又新寫《煎茶水記》,說唐代宗時李秀卿出任湖州刺史路經維揚,逢陸羽,李早聞陸之大名,十分傾慕,相聚甚歡。當他們的船泊於揚子江邊準備吃飯時,李秀卿說,陸君善於別茶天下聞名,而揚子江南零水又殊絕,難得今日二妙千載一遇,豈能錯過?陸羽欣然應允,於是李秀卿令謹慎可靠的軍士攜瓶操舟,深入揚子江南零取水,陸羽準備好茶具相候。不一會,水取來了,陸羽以杓揚其水,說:這是揚子江中水不假,但不是南零水,而是近岸之水。軍士說我划船深入,而且有百人做證。陸羽不言語,讓他端起盆,把水倒入另一盆中,倒及一半時,又以杓揚之,說以下都是南零水了。兵士驚嚇不已,跪地請罪。原來他最初確實是在南零取的水,可惜近岸時,舟蕩水潑了一半,於是就近以江水加滿。李秀卿和賓客都大為驚歎,懇請陸羽口授天下之水的優劣,陸羽說:揚子江江南零水第七,惠山水第二,虎丘水第五,丹陽水第十一,揚州大明寺水第十二。陸羽之後的劉伯芻也是位學識淵博者,把江淮最宜於烹茶的水分為七等,揚子江南零水第一,無錫惠山寺石水第二,蘇州虎丘寺石水第三,丹陽縣觀音寺水第四,吳淞江水第六,淮水最下第七。揚州蜀崗中峰大明寺水名列第五。北宋歐陽修守揚州時,曾品嚐該泉水,並在井上建美泉亭,還撰《大明寺泉水記》,稱讚泉水之美。蘇東坡守揚州時曾記道:大明寺塔院西廊井與下院蜀井的水,以塔院為勝。真是:從來名士能評水,自古高僧愛鬥茶。過去此處一直有塔井和下院井之說,明代大明寺僧滄溟曾掘地得井,嘉靖中葉,巡鹽御史徐九皋書第五泉三字,青石紅字,字形豐腴壯麗,人稱此為下院井。水島上一井,是乾隆二年汪應庚開鑿山池種蓮花而得,並於井上建環亭,著名書法家,吏部王澍書天下第五泉。

揚州大明寺導遊詞 篇8

各位遊客大家好!

歡迎您來江蘇大明寺遊覽,我是導遊員小萌。今天有幸陪同大家遊覽江蘇大明寺,共度美好時光,我感到十分榮幸。

大明寺位於揚州西北郊的蜀岡之上。它既是一座佛叫廟宇,也是一方風景名勝,由大雄寶殿、平遠樓、平山堂、御園、鑑真紀念堂、棲靈塔、天下第五泉等組成。

大明寺殿內迎面坐著釋迦牟尼等三尊大佛;背面為海島,上有觀音腳踏鰲頭的立像。殿內東西兩側分列著十八羅漢,這裡常年香菸繚繞,經聲不斷,每年元旦前夕,常有日本客人來此撞鐘,以求幸福。

棲靈塔

西隋朝時,隋文帝楊堅篤信佛教,仁壽元年(601)他過生日,曾下詔在全國建立三十座供養佛舍利的塔,揚州棲靈塔,便是其中之一,唐代大詩人李白曾登臨此塔,讚歎道:“寶塔凌蒼蒼,登攀覽四荒”,稱讚寶塔氣勢磅礴。

白居易、劉禹錫同遊該塔,兩人同齡,都是55歲的人了,但精神很好,興致很高,在揚州玩了半個月,登棲靈塔是他們這次遊覽的高潮,白居易寫詩道:“半月騰騰在廣陵,何樓何塔不同登。共憐筋力尤堪任,上到棲靈第九層”。劉禹錫寫詩道:“步步相攜不覺難,九層雲外倚闌干。忽然笑語半天上,無數遊人舉眼看”。

他們是以登上棲靈塔為自豪的,現在該塔修復,塔身方形,總高度為70米,共9層。塔為仿唐式塔,東西南北每面四柱三間,一門二窗,平座腰簷,出簷深遠,屋面平坡,腰鼓形柱,直櫺形窗。塔雄踞蜀崗之上,氣勢雄偉,古樸典雅,遠觀似孤峰聳秀,矗入雲霄;登臨則眼界頓開,胸襟曠達。

揚州大明寺導遊詞 篇9

According to legend, emperor yangdi Yang Guang in memory of his father sui wendi monuments, bless Jiang Shanyong solid, our descendants ten thousand generation, in TaiLing created next to the temple. Due to our temple create has the support of the emperor, so was grand and splendid. "Rebellion" after the national strength gradually weak, our temple and other buddhist dojo, with incense, less since Buddha, also doomed to our temple, temple of Buddha all destroyed.

Ming hongwu, the qing emperor qianlong and light years, our temple was rebuilt three times and the repair, thrived for many times, is bigger than before, more monks, meter has more than one hundred and eighty mu of land, of the moment, the late qing and early republic, war, bandits, more than our temple temple destroyed, and only three room of hall, six wing and on the second floor of the bell and drum, several monks guard.

1949 years later, the temple abbot monk, has more than 20 acres, land temple, Buddha, bell and drum ready, but unfortunately destroyed in the "cultural revolution". Mage advocated by the net day in 1987, under the original to our temple site restoration and reconstruction, July l989 Ursa major, change a temple called "daming monastery", take a big put light, become the government approval to legally buddhist temples. Since then, the local government, village cadres and four sides under the support of people, especially in Hong Kong publishing, holy one, the realization of the mage on the economy vigorously support, more than a decade to build without dropping out, developing very quickly. Solemn holy land of Buddhism has become a considerable scale. Temple covers an area of 12 acres with Ursa now 5 rooms, great hall 5, ZhaiTan between two layers of 14, he was the 3 rooms, three kuan ti temple temple and chanting hall, study hall, store kingle, drum tower, etc, and have electric room, a bathroom, a guest, wing and other supporting facilities.

Now daming monastery, have taken on a new look. Here is only 10 li away from the county seat, the transportation is convenient. Monastery in FeiFeng ShanYuan built, commanding, eye shot is open, large south the white snow, and west is west gaps back river, north to look deep famen temple pagoda, the east sui wendi TaiLing relatively. Lush scenery elegant, pleasant climate, flowers and trees. Is a wonderful place, temple central Ursa major iron tip of the roof center for SuiTai mausoleum's top of the east, east illicit affair, namely using theodolite, nor partial silk recommend her. Is this the ancients' masterpiece, deliberately or providence of close, remains unknown, but it makes people wonder, more make people feel mysterious. On the top of the temple in langfang long a towering cooper, dangling, for hundreds of years, despite the wind and rain, fighting, but still flourish, pilgrims and tourists all sigh for the spectacle.

揚州大明寺導遊詞 篇10

According to legend, emperor yangdi Yang Guang in memory of his father sui wendi monuments, bless Jiang Shanyong solid, our descendants ten thousand generation, in TaiLing created next to the temple. Due to our temple create has the support of the emperor, so was grand and splendid. "Rebellion" after the national strength gradually weak, our temple and other buddhist dojo, with incense, less since Buddha, also doomed to our temple, temple of Buddha all destroyed.

Ming hongwu, the qing emperor qianlong and light years, our temple was rebuilt three times and the repair, thrived for many times, is bigger than before, more monks, meter has more than one hundred and eighty mu of land, of the moment, the late qing and early republic, war, bandits, more than our temple temple destroyed, and only three room of hall, six wing and on the second floor of the bell and drum, several monks guard.

1949 years later, the temple abbot monk, has more than 20 acres, land temple, Buddha, bell and drum ready, but unfortunately destroyed in the "cultural revolution". Mage advocated by the net day in 1987, under the original to our temple site restoration and reconstruction, July l989 Ursa major, change a temple called "daming monastery", take a big put light, become the government approval to legally buddhist temples. Since then, the local government, village cadres and four sides under the support of people, especially in Hong Kong publishing, holy one, the realization of the mage on the economy vigorously support, more than a decade to build without dropping out, developing very quickly. Solemn holy land of Buddhism has become a considerable scale. Temple covers an area of 12 acres with Ursa now 5 rooms, great hall 5, ZhaiTan between two layers of 14, he was the 3 rooms, three kuan ti temple temple and chanting hall, study hall, store kingle, drum tower, etc, and have electric room, a bathroom, a guest, wing and other supporting facilities.

Now daming monastery, have taken on a new look. Here is only 10 li away from the county seat, the transportation is convenient. Monastery in FeiFeng ShanYuan built, commanding, eye shot is open, large south the white snow, and west is west gaps back river, north to look deep famen temple pagoda, the east sui wendi TaiLing relatively. Lush scenery elegant, pleasant climate, flowers and trees. Is a wonderful place, temple central Ursa major iron tip of the roof center for SuiTai mausoleum's top of the east, east illicit affair, namely using theodolite, nor partial silk recommend her. Is this the ancients' masterpiece, deliberately or providence of close, remains unknown, but it makes people wonder, more make people feel mysterious. On the top of the temple in langfang long a towering cooper, dangling, for hundreds of years, despite the wind and rain, fighting, but still flourish, pilgrims and tourists all sigh for the spectacle.

揚州大明寺導遊詞 篇11

Daming monastery is famous at home and abroad, its long history, it is important, but more important for one reason, because there was a greatness monk, he is the distinguishing of the monk in the tang dynasty. On distinguishing the monks who speak law ChuanJie daming monastery, famous and admired by character, has the high prestige, "the reputation of jianghuai master". Thrive in Buddhism, buddhist Oriental, he accepts the Japanese buddhist invitation, readily led the monk dongdu fuso. Master dongdu buddhist is absolute. At that time, his disciples for the road far away, "the sea miaotuo overflowing, useless to", but hesitates along. Distinguishing but undaunted: "to be hurrying, also precious little body life? The people don't go, I go to the ear that!" It serves to show his profound super-knowledge and strong determination.

Distinguishing the master take the bull by the horns, five times failure, did not lose heart, never flinch, finally in tianbao twelve years (753), with the blind, arrived in Japan in the 66 - year - old success always. His indomitable willpower, enables us to admire and respect. Distinguishing in Japan built temple Buddha, wide spread Buddhism commandment, xing teach calligraphy and painting skills, promote medicine diet, carrying forward the culture of datang, by the people of Japan as a benefactor "culture". Distinguishing the master is a shining example of a missionary of buddhist, is the Chinese people's friendly messenger. He is doctrines on rare elite in China, is one of the biggest glory and pride of daming monastery.

Habitat spirit, a total of nine layers, was founded in the first year of SuiRenShou (601), tang dynasty poet li bai, cross, Liu Changqing, Jiang Huan, Chen Run, liu yuxi, bai juyi have to board, and leave song, reflects is known as "China YouJun" habitat of spirit majestic, magnificent towering cloud.

Habitat spirit since Tang Huichang three years (843) not to be, daming monastery only ruins "habitat" spirit, without their spi tower, pilgrims and visitors are deeply lead to shame. The emperor song zhenzong JingDe first year (1004), monks can zheng to raise funds to build up a more than seven pagodas. The pagoda in the southern song dynasty destroy Pi again, since then, daming monastery never rebuild their spirit.

As in 1980, distinguishing masters like back to yangzhou "visit" from Japan, people from all walks of life initiative to rebuild their spirit, excitation figure macro industry. Daming monastery monks with the support of relevant departments, in every way to raise money, ready to build. 1988, daming monastery monk ruixiang mage ZeZhi based at temple east garden, grand ceremony, stone for the record. Ruixiang mage parinirvana after can fix the mage persist its ambition, collect alms, pencil-thin operation, the desire for built a habitat spirit as soon as possible.

Habitat and * spirit north the steps in the direct connect to lie. Lie Wu Buddha hall for the shan temple architecture, cornices, newborn magnificence. Lie the Buddha hall built in high stylobate, eaves hung * "lie" gold plaque in the middle of place, from the President of the calligraphy at the beginning of the buddhist association of China.

In Ursa major as the main body of the north and south by east of central axis position, also formed a north-south central axis of the building group, and it is the main hall in distinguishing memorial as a group, the construction of the main body of the design, structure system is perfect, is almost in this building.

PingShanTang locates the west side of the "old house" immortal of daming monastery Ursa major, as the northern song dynasty writer ouyang xiu in yangzhou was positively build, is consists of PingShanTang, GuLinTang, ouyang shrine, from south to north lined up. This church there hang "merry wan in", "sit on" plaques, north hall eaves hang Lin zhao yuan topic "mountains to the readings and flat" plaques. At this point, tourists SiGu of compassion.

揚州大明寺導遊詞 篇12

遊客們:這裡有兩口“第五泉”,一在東岸上,碑石上刻著“第五泉”三個大字;另一個在西側池中,為雍正年間鑿池時發現的,當時的人認為,這才是真正的第五泉,所以建亭於其上。大家都知道,在歷史上被稱作“天下第一泉”的有四個:江蘇鎮江中冷泉、江西廬山谷簾泉、北京玉泉、濟南的趵突泉,而被稱作天下第五泉的只有揚州一個。

在第五泉東面依牆築著一塊石碑,上刻“鶴冢”二字,顧名思義,這就是鶴的墳墓。大家對北宋詩人林和靖的逸事可能略知一二,傳說他一生孤高自好,不娶不仕,隱居杭州孤山,喜歡種梅養鶴,有“梅妻鶴子”之說。光緒十九年,住持和尚星悟禪師在平山堂也養有兩隻鶴,極為珍愛,任憑雙鶴戲耍自如。後來一隻仙鶴患足疾而死,另一鶴悲痛欲絕,最後絕食而亡。星悟禪師深為感動,將雙鶴埋葬在此,並立一石碑,上刻“鶴冢”。

各位遊客,平山堂是歐陽修貶謫揚州太守時所建。可敬的是歐公不為世俗所羈,一到揚州,就愛上了蜀崗,於是在此建堂。史載,每到夏天,公務之餘,他常帶朋友來此飲酒賦詩,他們飲酒方式頗為特別,常叫從人去不遠處的邵伯湖取荷花千餘朵,分插百許盆,放在客人之間,然後讓歌女取一花傳客,依次摘其瓣,誰輪到最後一片則飲酒一杯,賦詩一首,往往到夜,載月而歸,這就是當時的擊鼓傳花。大家注意看“風流宛在”的匾額,“流”字少了一點,“在”字又多了一點,大概是提醒大家做事要少一點風流,多一點實在吧。

當人們提起歐陽修時,必然會想到他的學生蘇軾(蘇東坡)。從平山堂往後走數米便是“谷林堂”,這是蘇東坡56歲任揚州知府時為紀念歐陽修而建的,堂名取自他自己的詩句:“深谷下窈窕,高林合扶疏。”以詩的第一、二句的第二個字“谷”、“林”為堂名。

遊客們:現在我們最後再去瞻仰棲靈塔。有寺廟的地方必有塔,人們常說:“救人一命,勝造七級浮屠”,浮屠是印度梵文中塔的別稱。棲靈塔初建於隋文帝時,塔高九層,唐代著名詩人李白、劉長卿、劉禹錫、白居易等均曾登塔賦詩讚頌。可惜原塔在唐武宗時化為焦土。1980年鑑真大師塑像回揚州“探親”,各界人士倡議重建棲靈塔。新建後的棲靈塔氣勢雄偉,成為大明寺的標誌性景觀。登上塔頂,揚州景觀盡收眼底。

各位遊客:大明寺從初建至今已有1500多年,這段歷史飽經憂患,歷盡滄桑,多次修葺,才有今日新貌,來之十分不易。大明寺既有美麗的湖光山色,又有古老的宗教寺廟,更有鑑真、歐陽修、蘇東坡在此留下的歷史印跡,觀物賞景,融為一體,令人流連忘返。

揚州大明寺導遊詞 篇13

五代毛文錫《茶譜》中稱“揚州禪智寺,隋之故宮,寺旁蜀崗有茶園,其茶甘香,味如蒙頂。”(蒙頂,是四川峨嵋蒙山之頂,山頂之茶是唐珍品,白居易曾作詩云“揚子江中水,蒙山頂上茶”)。當時蜀崗茶還作為貢品進貢,至今蜀崗有茶樹五百畝,其茶以芽尖鮮嫩,條索緊密,湯色明亮,清香濃重為宇內稱道。揚州不僅茶葉好,而且講究泡製,首先是水,最好的沖茶水當為五泉水。唐代狀元張又新寫《煎茶水記》,說唐代宗時李秀卿出任湖州刺史路經維揚,逢陸羽,李早聞陸之大名,十分傾慕,相聚甚歡。當他們的船泊於揚子江邊準備吃飯時,李秀卿說,“陸君善於別茶天下聞名,而揚子江南零水又殊絕,難得今日二妙千載一遇,豈能錯過?”陸羽欣然應允,於是李秀卿令謹慎可靠的軍士攜瓶操舟,深入揚子江南零取水,陸羽準備好茶具相候。不一會,水取來了,陸羽以杓揚其水,說:“這是揚子江中水不假,但不是南零水,而是近岸之水。”軍士說“我划船深入,而且有百人做證”。陸羽不言語,讓他端起盆,把水倒入另一盆中,倒及一半時,又以杓揚之,說“以下都是南零水了”。兵士驚嚇不已,跪地請罪。原來他最初確實是在南零取的水,可惜近岸時,舟蕩水潑了一半,於是就近以江水加滿。李秀卿和賓客都大為驚歎,懇請陸羽口授天下之水的優劣,陸羽說:揚子江江南零水第七,惠山水第二,虎丘水第五,丹陽水第十一,揚州大明寺水第十二。陸羽之後的劉伯芻也是位學識淵博者,把江淮最宜於烹茶的水分為七等,揚子江南零水第一,無錫惠山寺石水第二,蘇州虎丘寺石水第三,丹陽縣觀音寺水第四,吳淞江水第六,淮水最下第七。  揚州蜀崗中峰大明寺水名列第五。北宋歐陽修守揚州時,曾品嚐該泉水,並在井上建“美泉亭”,還撰《大明寺泉水記》,稱讚泉水之美。蘇東坡守揚州時曾記道:“大明寺塔院西廊井與下院蜀井的水,以塔院為勝。”真是:從來名士能評水,自古高僧愛鬥茶。過去此處一直有塔井和下院井之說,明代大明寺僧滄溟曾掘地得井,嘉靖中葉,巡鹽御史徐九皋書“第五泉”三字,青石紅字,字形豐腴壯麗,人稱此為下院井。水島上一井,是乾隆二年汪應庚開鑿山池種蓮花而得,並於井上建環亭,著名書法家,吏部王澍書“天下第五泉”。

好了,各位遊客朋友,我的講解到此結束。祝願大家遊玩愉快.謝謝大家!

揚州大明寺導遊詞 篇14

大明寺位於揚州西北郊的蜀岡之上。它既是一座佛叫廟宇,也是一方風景名勝,由大雄寶殿、平遠樓、平山堂、御園、鑑真紀念堂、棲靈塔、天下第五泉等組成。

大明寺殿內迎面坐著釋迦牟尼等三尊大佛;背面為海島,上有觀音腳踏鰲頭的立像。殿內東西兩側分列著十八羅漢,這裡常年香菸繚繞,經聲不斷,每年元旦前夕,常有日本客人來此撞鐘,以求幸福。

棲靈塔

西隋朝時,隋文帝楊堅篤信佛教,仁壽元年(601)他過生日,曾下詔在全國建立三十座供養佛舍利的塔,揚州棲靈塔,便是其中之一,唐代大詩人李白曾登臨此塔,讚歎道:“寶塔凌蒼蒼,登攀覽四荒”,稱讚寶塔氣勢磅礴。

白居易、劉禹錫同遊該塔,兩人同齡,都是55歲的人了,但精神很好,興致很高,在揚州玩了半個月,登棲靈塔是他們這次遊覽的高潮,白居易寫詩道:“半月騰騰在廣陵,何樓何塔不同登。共憐筋力尤堪任,上到棲靈第九層”。劉禹錫寫詩道:“步步相攜不覺難,九層雲外倚闌干。忽然笑語半天上,無數遊人舉眼看”。

他們是以登上棲靈塔為自豪的,現在該塔修復,塔身方形,總高度為70米,共9層。塔為仿唐式塔,東西南北每面四柱三間,一門二窗,平座腰簷,出簷深遠,屋面平坡,腰鼓形柱,直櫺形窗。塔雄踞蜀崗之上,氣勢雄偉,古樸典雅,遠觀似孤峰聳秀,矗入雲霄;登臨則眼界頓開,胸襟曠達。

揚州大明寺導遊詞 篇15

Daming monastery is located in yangzhou city in northwest sichuan, 27, was built in the southern dynasty liu song period of the ancient temple.

Distinguishing the master had presided over the temple in the tang dynasty, to pass on one's experience about law. Temple built nine layers of a habitat of spirit. Today daming monastery in distinguishing memorial hall for the tang dynasty style architecture, distinguishing in 1963 died when the 1200th anniversary of the foundation, built in 1973, the main hall of worship with dry paint on 須彌座 clip made distinguishing storage cave, close the meditation, persistent, peace. Its front yard has more than one plant height when the rare flower Joan, lush leaves, spring blossoms as white as tracts, have the reputation of "yangzhou qionghua, the unique thing in the world". To daming monastery I saw people like tide, just went in to see there is a big sign, reading: "Ursa" four characters, once we worship the Buddha inside.

Finally, we came to live spirit. After entering their spirit inside there are four Buddha, are all the same, we have been to climb, to climb to the seventh layer have been exhausted, climb to the top to rest for a while, for air, air to continue to climb again. Finally climbed to the ninth floor, I feel very proud and very happy, I told mom and dad said: "I'm so happy, the wind is very comfortable!" I look down, the good little, as if some toys, people like only small ants crawling around, and I look ahead in the distance, originally the world is so big!

Down after saw a tower and a drum. Leave is always coming, the day is so happy!

揚州大明寺導遊詞 篇16

平山堂是遊目騁懷的好地方。堂前古藤錯節,芭蕉肥美,通堂式的敞廳之上,“平山堂”三個大字的匾額高懸,這是名聞遐邇的宋代著名政治家、文學家歐陽修貶謫揚州太守時所建。可敬的是歐公不為世俗所羈,一到揚州,就愛上了蜀崗,於是在此建堂。史載,每到暑天,公餘之暇,他常攜朋友來此飲酒賦詩,他們飲酒方式頗為特別,常叫從人去不遠處的邵伯湖取荷花千餘朵,分插百許盆,放在客人之間,然後讓歌取一花傳客,依次摘其瓣,誰輪到最後一片則飲酒一杯,賦詩一首,往往到夜,載月而歸,這就是當時的擊鼓傳花。如今懸在堂上的“坐花載月”、“風流宛在”的匾額正是追懷歐公的軼事。

歐陽修最愛蓮花,其後調任安徽阜陽,到任第二天,他就來到該城的西湖之濱,見湖面開闊,但雜草叢生,於是遍植瑞蓮和黃楊,使西湖頓改舊觀,夏日時接天蓮葉,映日荷花,於是他寫詩道:“菡萏香清畫舸浮,使君不復憶揚州。都將二十四橋月,換得西湖十頃秋。”可見他是按照揚州瘦西湖的景緻安排阜陽的山水。堂前朱漆紅柱上的楹聯:“過江諸山到此堂下,太守之宴與眾賓歡”,是清太守伊秉綬所作,上聯以山喻人,顯現當年高朋慕名而至,談古論今的盛景;下聯借歐公《醉翁亭記》中句,表現歐公無法施展抱負的鬱悶和樂觀自適的落宕情懷。造句既佳,書法古樸,為平山堂楹聯之冠。